Yo, Frankenstein (2014) (2025)

: Critics like those at RogerEbert.com point out that Aaron Eckhart's "Monster" is significantly "beautified" compared to Shelley's original description, which changes the character's core tragedy from physical alienation to emotional isolation.

Most research papers use the film as a case study for how modern cinema adapts classic literature into action-oriented "monster-as-superhero" narratives. Key Academic Themes and Papers Yo, Frankenstein (2014)

While there isn’t a single definitive "paper" with that exact title, several academic and critical analyses explore the themes of (often referred to as Yo, Frankenstein in Spanish-speaking regions). : Critics like those at RogerEbert