While many praised the "practiced ease" and "elegant film craftsmanship" of the work, some found the second half—which shifts from light caper to a more standard gangster film in Guadeloupe—to be less engaging or even "run-of-the-mill" compared to the polished hotel-based scams of the first half. The Swindle (1997)
: The film is highly regarded for the chemistry between Isabelle Huppert and Michel Serrault . Huppert uses a series of wigs and disguises throughout the film, leading some critics to view her role as a metaphor for acting itself, with Victor serving as a director-like figure who manages their "productions". The Swindle(1997)
Watch the trailer for Claude Chabrol's 50th film featuring the iconic duo of Isabelle Huppert and Michel Serrault: The Swindle - Trailer Cohen Film Collection YouTube• Mar 21, 2014 Key Features of the Film While many praised the "practiced ease" and "elegant
Released in 1997, ( Rien ne va plus ) is the 50th feature film by French New Wave master Claude Chabrol . Unlike many of his more caustic portrayals of class resentment, this film is often described as a "lighter" addition to his filmography—a droll, Hitchcockian comedy-thriller centered on the art of the con and the ambiguity of human identity. Plot and Core Dynamic Watch the trailer for Claude Chabrol's 50th film
: Chabrol frequently pays homage to Alfred Hitchcock. In The Swindle , this is evident in scenes where characters must navigate public events where escape requires "breaking the rules" of social decorum.