The Last Matinee (2020) [ 2026 ]

While many modern slashers lean into irony, The Last Matinee plays it straight with a heavy dose of style. The cinematography is drenched in primary colors—mostly deep, blood-reds and cold blues—reminiscent of Dario Argento’s Suspiria .

It’s a classic "trapped in one location" setup, but Contenti uses the theater’s architecture—the red velvet curtains, the labyrinthine projection booth, and the shadowy balcony—to create a suffocating sense of dread. Style Over Everything The Last Matinee (2020)

Red Velvet and Cold Steel: Why The Last Matinee is a Love Letter to Cinema While many modern slashers lean into irony, The

It’s a brief, bloody, and beautiful 88-minute ride. If you miss the days of "video nasties" and midnight screenings, turn off the lights, grab some popcorn, and settle in for this one. Just... maybe don't look behind you. Style Over Everything Red Velvet and Cold Steel:

The film is light on dialogue but heavy on atmosphere. You can almost feel the stickiness of the floors and the hum of the projector. It’s a slow-burn experience that prioritizes mood and "the vibe" over complex plotting, making it a feast for the eyes. The Gore Factor

The Last Matinee is more than just a body count movie. It’s a nostalgic, somewhat tragic look at the death of the theatrical experience. As the killer dismantles the audience, there’s a subtext about the vanishing magic of cinema-going.

Be warned: when the violence hits, it hits hard. This is a giallo, after all. The kills are creative, practical, and unflinchingly gruesome. There’s a specific focus on the eyes—a recurring trope in Italian horror—that will have even seasoned horror fans squinting through their fingers. Why You Should Watch It