Carangi Trecho De Ensaio Da Perform... — Tetta Marie

: She won the EDP Arts Prize at the Instituto Tomie Ohtake in 2018 and has participated in international residencies in Vienna, Lisbon, and Porto. The Story: Rehearsing the Body

: She graduated in Architecture and Urbanism and currently lives in Berlin.

Marie Carangi is a multi-disciplinary artist born in Recife, Brazil, in 1989. Her work is deeply rooted in "emancipatory practices," often using the body to explore the friction between space, gender, and colonization. Tetta Marie Carangi Trecho de ensaio da perform...

: Her performances are described as "transmedia tactics" that blend video, sound art, and installation.

The name likely refers to the contemporary Brazilian artist Marie Carangi (also known as Teta Lírica ). While the query shares a name with the famous 1970s supermodel Gia Marie Carangi , the "rehearsal for a performance" ( trecho de ensaio da perform... ) points toward the performative art of the Recife-born artist. The Artist: Marie Carangi (Teta Lírica) : She won the EDP Arts Prize at

In these performances, Carangi often uses her own presence to challenge traditional notions of behavior and space. Whether it is sound art that vibrates through a room or a video installation that captures "rubbing relationships" between the physical and the digital, her rehearsals are less about perfecting a movement and more about uncovering a truth. Distinguishing from Gia Carangi

It is important to note that while (1960–1986) was a pioneering American supermodel, she was not known for performance art essays. Her tragic story—marked by her rise to fame in New York, a struggle with heroin addiction, and her early death from AIDS complications—is a separate narrative entirely. The artist Marie Carangi ’s work may intentionally reference or play with this legacy of "Gia," but her practice is a contemporary exploration of architecture and gender. Her work is deeply rooted in "emancipatory practices,"

The "essay" or "rehearsal excerpt" mentioned in the query likely refers to a specific piece where Carangi investigates the "opening" of the body. Her project Corpo Aberto: um arquivo de sentimentos (Open Body: an archive of feelings), presented in Switzerland in 2019, exemplifies her focus on the body as a site of political and emotional memory.