Unlike his baroque-rock roots, this track swaps the heavy organ for polished synthesizers and a steady, rhythmic pulse. It’s a bridge between the era and the emerging New Wave sound. Fischer’s vocals are understated and earnest, delivered with a melodic sensibility that feels both nostalgic and modern for its time.
Every element—from the snare hits to the guitar accents—is placed with precision.
For fans of Procol Harum, this piece is a fascinating look at an artist evolving. It shows Fischer stepping out from the shadow of "Whiter Shade" to embrace a world of MIDI and digital textures without losing his signature knack for chord progressions that feel emotionally resonant. It’s a hidden gem of the era—perfect for a late-night drive or a "forgotten 80s" playlist.
"She Makes Me Feel" is a standout track from Matthew Fischer’s 1982 album Strange Days . While many know Fischer as the classically-trained organist for —the man behind the haunting Hammond B3 on "A Whiter Shade of Pale"—this solo effort captures him leaning into the sleek, synth-pop sensibilities of the early '80s. The Sonic Landscape
Unlike his baroque-rock roots, this track swaps the heavy organ for polished synthesizers and a steady, rhythmic pulse. It’s a bridge between the era and the emerging New Wave sound. Fischer’s vocals are understated and earnest, delivered with a melodic sensibility that feels both nostalgic and modern for its time.
Every element—from the snare hits to the guitar accents—is placed with precision. SHE MAKES ME FEEL - MATTHEW FISCHER - (1982)
For fans of Procol Harum, this piece is a fascinating look at an artist evolving. It shows Fischer stepping out from the shadow of "Whiter Shade" to embrace a world of MIDI and digital textures without losing his signature knack for chord progressions that feel emotionally resonant. It’s a hidden gem of the era—perfect for a late-night drive or a "forgotten 80s" playlist. Unlike his baroque-rock roots, this track swaps the
"She Makes Me Feel" is a standout track from Matthew Fischer’s 1982 album Strange Days . While many know Fischer as the classically-trained organist for —the man behind the haunting Hammond B3 on "A Whiter Shade of Pale"—this solo effort captures him leaning into the sleek, synth-pop sensibilities of the early '80s. The Sonic Landscape Every element—from the snare hits to the guitar
| Voltage/Frequency： | 1230V~50Hz/120V~60Hz |
| Input Power: | 1500W/9.5A |
| Blade Dia: | 210mm |
| No-load Speed: | 110-120V:5000rpm,220-240V:4500rpm |
| G.W./N.W.: | 12.5/11kgs |
| Packing Size: | 740x490x340mm/pc |
| 20'FCL: | 204pcs |
| 40'GP: | 432pcs |
| 40'HQ: | 504pcs |
| Cutting Capacity | |
| Miter x Bevel | Width x Height（mm） |
| 0° x 0° | 305 x 70 |
| 45°x 0° | 215 x 70 |
| 0° x 45° | 305 x 35 |
| 45°x 45° | 215x 35 |
