The song draws parallels between the lives of contemporary rappers and the rebellious, "bon vivant" lifestyles of and Hłasko in post-war Poland.

: Known for his storytelling, Sokół reinforces the theme of "life on the move" (życie na walizkach), mirroring the nomadic and often troubled lives of the writers they reference.

: Auer provides a melancholic yet rhythmic backdrop that bridges the gap between old-school Warsaw vibes and modern hip-hop.

: Just as Tyrmand was an icon of the Polish "bikiniarze" movement (Polish beatniks) and Hłasko was known for his raw, gritty prose about the dark side of city life, Pezet and Sokół position themselves as modern-day observers of Warsaw’s urban underbelly.

The track is deeply rooted in . Tyrmand’s famous novel Zły (The Man with White Eyes) was a legendary portrayal of Warsaw's criminal underworld, a theme frequently explored in the discographies of both Pezet and Sokół. By naming the track after these authors, they bridge Polish high culture with the grit of street rap. Tyrmand i Hłasko - song and lyrics by Pezet, Sokół, Auer

: Both rappers reflect on feeling like "outsiders" in their own environment, with Pezet comparing his sense of displacement to "Hłasko" or "a hetero in a gay club". Production & Lyrical Style