Oss 117: Lost In — Rio Image

: Shot on 35mm film (Kodak Vision2) using an anamorphic process, it maintains a native 2.35:1 widescreen aspect ratio —a hallmarks of the "Scope" thrillers of that time.

: The film heavily employs split-screen effects and multi-dynamic image techniques (popularized by films like The Thomas Crown Affair ) to display several panes of action at once. OSS 117: Lost in Rio image

: The visual language explicitly parodies Alfred Hitchcock —including a climax atop the Christ the Redeemer statue that riffs on North by Northwest and Vertigo . : Shot on 35mm film (Kodak Vision2) using

: Shot on 35mm film (Kodak Vision2) using an anamorphic process, it maintains a native 2.35:1 widescreen aspect ratio —a hallmarks of the "Scope" thrillers of that time.

: The film heavily employs split-screen effects and multi-dynamic image techniques (popularized by films like The Thomas Crown Affair ) to display several panes of action at once.

: The visual language explicitly parodies Alfred Hitchcock —including a climax atop the Christ the Redeemer statue that riffs on North by Northwest and Vertigo .