Keep your lowest frequencies (below 150-200 Hz) in mono . This prevents phase cancellation and ensures the bass remains powerful across all sound systems. Tools for Bass Boosting
Rather than purely increasing gain, apply multiband saturation . This adds upper harmonics to the bass, making it sound "louder" and more aggressive to the ear without actually peaking your levels into distortion. Odium (Bass Boosted)
"Odium" (often associated with the artist ) is a staple in the "Phonk" and "Drift" genres, known for its heavy atmospheric vibes and deep, rattling sub-bass. When preparing a bass-boosted piece of this track, the goal is to enhance that "wall-shaking" effect without losing the clarity of the cowbell melodies or the characteristic "lo-fi" grit. Mixing & Processing Tips Keep your lowest frequencies (below 150-200 Hz) in mono
Ensure the kick drum "ducks" the bass. Using a sidechain gate or compressor allows the kick to hit with maximum impact before the sub-bass fills the space back in. This adds upper harmonics to the bass, making
To create a high-quality bass boost for a track like "Odium," consider these professional techniques:
If you are looking to process the audio yourself, several tools can help achieve this:
Instead of just cranking the master bass dial, focus your boost between 40–60 Hz for that deep physical rumble. To help the bass "cut through" on smaller speakers, a slight boost in the 300–500 Hz range adds audible body.