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In the mid-1920s, Poland saw a surge in the popularity of "salon magic." Magazines such as Ze Świata Czarów (From the World of Charms) and Świat Złudzeń (World of Illusions) served as early manuals for magicians, blending the art of sleight-of-hand with the spiritism trends of the era. These publications treated illusion not just as entertainment, but as a gateway to exploring the supernatural and the limits of human observation. Cultural and Artistic Reflections
In films like Lyvia’s House , visual masks and surreal settings serve as omens that characters are not what they seem, using "Iluzja" to build a sense of gaslighting and psychological unease. Iluzja
The Hollywood Reporter Names Lovia Gyarkye as Arts & Culture Critic In the mid-1920s, Poland saw a surge in