It’s not a "feel-good" movie. It’s a critique of how institutional religion can sometimes protect the institution while neglecting the soul. It challenges the audience to look past the stained glass and the designer shoes to see the humanity (and the hypocrisy) underneath.
The film lives and breathes through and Sterling K. Brown .
as Lee-Curtis Childs is a masterclass in performative charisma. He plays a man desperate to reclaim his throne, masking deep insecurities and moral failings with expensive suits and "blessed" rhetoric.