These represent the infinite nature of sound.
The "10" in our argument represents the ten-octave range of human hearing, but specifically focuses on the lowest two. A sound argument for Dub is a physical one. Low-frequency oscillations (LFOs) are not just heard; they are felt.
Dub pioneered the use of sub-bass, later adopted by Jungle, Dubstep, and Grime. (Dub) 10 : A Sound Argument
Using gear in ways it wasn't intended (overloading pre-amps, "playing" the spring reverb).
In a sound system context, the bass vibrates the chest cavity. These represent the infinite nature of sound
The "Sound Argument" begins in Kingston, Jamaica, circa 1968. What started as a technical accident—an engineer leaving out a vocal track—evolved into a high-art form. Dub proved that the "version" (the instrumental B-side) could be superior to the original.
Dub treats the mixing board as an instrument. Minimalism: It elevates the drum and bass to lead roles. Low-frequency oscillations (LFOs) are not just heard; they
The "Sound Argument" concludes that the engineer (the Dubmaster) is the true modern composer. By manipulating the faders in real-time, the engineer ensures that no two "Dub plates" are ever the same. Mixing is a live performance.
