Antwerp_requiem.rar
The recording under the PENTATONE label also includes visual and poetic collaborations, such as works by artist Clara Spilliaert , who explores themes of collective cultural identity.
During the 1650s, Antwerp saw a trend of private individuals funding "lavish funeral ceremonies," often to the disapproval of the Church. This period was characterized by an ostentatious "baroque attitude to death". Antwerp_Requiem.rar
An Antwerp native from a musical family, Steelant’s Requiem (Opus 1) was unique enough to be listed in historical inventories across the Southern Netherlands and France. The recording under the PENTATONE label also includes
The recording under the PENTATONE label also includes visual and poetic collaborations, such as works by artist Clara Spilliaert , who explores themes of collective cultural identity.
During the 1650s, Antwerp saw a trend of private individuals funding "lavish funeral ceremonies," often to the disapproval of the Church. This period was characterized by an ostentatious "baroque attitude to death".
An Antwerp native from a musical family, Steelant’s Requiem (Opus 1) was unique enough to be listed in historical inventories across the Southern Netherlands and France.