By 1989, Rey moved to Dunkirk, New York, to teach at the State University of New York at Fredonia . It was here that he found a new "home" on the banks of local steelhead streams. The Aesthetics of Biology
: His large-scale oil paintings of trout—often portrayed in brilliant, specific detail—signify how species adapt to their specific habitats.
: Projects like his exploration of the polluted Scajaquada Creek in Buffalo or the sacred but endangered Bagmati River in Nepal combine art, film, and environmental research to foster a sense of local ownership and responsibility. The Orvis Guide of the Year
Rey is perhaps best known for his series. This body of work marks a shift from purely personal identity to a scientific, environmental focus. He doesn't just paint landscapes; he documents the "biological interconnectedness of life in nature".
Born in Havana, Cuba, in 1960, Rey’s journey was shaped by displacement. His family received political asylum and moved to Miami in 1965 before eventually settling in the coal-mining town of Barnesboro, Pennsylvania. This early history of migration and bicultural identity fueled his early abstract work, which grappled with "layered memories of Cuban iconography" and American life.
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APM Integrated Experience By 1989, Rey moved to Dunkirk, New York,
By 1989, Rey moved to Dunkirk, New York, to teach at the State University of New York at Fredonia . It was here that he found a new "home" on the banks of local steelhead streams. The Aesthetics of Biology
: His large-scale oil paintings of trout—often portrayed in brilliant, specific detail—signify how species adapt to their specific habitats.
: Projects like his exploration of the polluted Scajaquada Creek in Buffalo or the sacred but endangered Bagmati River in Nepal combine art, film, and environmental research to foster a sense of local ownership and responsibility. The Orvis Guide of the Year
Rey is perhaps best known for his series. This body of work marks a shift from purely personal identity to a scientific, environmental focus. He doesn't just paint landscapes; he documents the "biological interconnectedness of life in nature".
Born in Havana, Cuba, in 1960, Rey’s journey was shaped by displacement. His family received political asylum and moved to Miami in 1965 before eventually settling in the coal-mining town of Barnesboro, Pennsylvania. This early history of migration and bicultural identity fueled his early abstract work, which grappled with "layered memories of Cuban iconography" and American life.
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