Welcome to the home of the Star Trek: Voyager fanfiction series Fifth Voyager. It is based on the premise that every time a decision has to be made or time travel alters the past, a new alternate dimension is created for the changes to play out in. The change that separates Fifth Voyager and Star Trek: Voyager lie in the new characters.

Here is where you'll find all of the completed stories/episodes of the series in chronological order. The series is divided into two; the main seasons and the three prequel seasons titled "B4FV". You can start anywhere you like, of course.

If you'd prefer to read the main seasons first/only OR read the seasons in the order they were originally released, start with Aggression in Season One.

Here's the simplest "release order" I can think of which avoids the most spoilers;

Aftermath_la_vendetta_hd_2017_bluray_1080p Apr 2026

The narrative center of the film is Roman Melnyk, a construction foreman whose life is irrevocably altered when his wife and pregnant daughter are killed in a mid-air plane crash. Schwarzenegger delivers a restrained performance, portraying Roman not as a hero, but as a man paralyzed by a grief that has no outlet. His obsession with receiving a personal apology—rather than financial compensation—highlights the film’s critique of corporate and bureaucratic responses to tragedy. For Roman, the "aftermath" is a vacuum where the lack of human accountability feels like a second assault.

The title "Aftermath_La_vendetta_HD_2017_Bluray_1080p" refers to the 2017 film Aftermath , directed by Elliott Lester and starring Arnold Schwarzenegger. The film is a somber drama inspired by the real-life Uberlingen mid-air collision and the subsequent events involving the distraught father, Vitaly Kaloyev. Aftermath_La_vendetta_HD_2017_Bluray_1080p

The climax of the film serves as a grim commentary on the futility of vengeance. When Roman finally tracks Jake down, the encounter does not bring the catharsis Roman expects. Instead, the act of revenge only propagates more suffering, leaving the next generation—Jake’s son—to inherit the burden of trauma. This cycle suggests that while grief is a private experience, its consequences are public and generational. The narrative center of the film is Roman