: A broken link between the Finder and Acorn’s layer list was repaired, allowing users to simply drop their images directly into the stack once more.

As the sun set on the update cycle, Acorn 6.6.4 was released into the wild. It wasn't the loudest update in history, but for the designers who relied on it, it was a silent hero—a version that finally stayed out of the way and let the art speak for itself.

The world outside the workshop was changing too. macOS 15 Sequoia had arrived, but it brought a strange curse to the "Edit With Acorn" feature in the Photos app. Images sent to Acorn would return looking "overexposed" or "darker," a victim of shifting color profiles. The 6.6.4 update introduced a clever workaround. By refusing to "upgrade" the color profile and keeping the original "Apple Wide Color Sharing Profile" intact, Acorn ensured that what the artist saw was what the artist kept. Smoothing the Path

Smaller irritations were swept away with the precision of a digital brush:

In the quiet digital workshops of Flying Meat, a new version of the image editor——was being forged. For the developers, this wasn't just a routine patch; it was a mission to restore balance to the creative process of thousands of users. The Memory Ghost

: Architects of shape and form found they could once again move the anchor points of Bézier paths even when they carried text.