This report provides an overview of the Polish erotic drama (English: 365 Days ), covering its production, plot, and the significant cultural controversy surrounding its release. Production Overview
Directed by Barbara Białowąs and Tomasz Mandes.
Massimo gives Laura 365 days to fall in love with him while keeping her imprisoned in his estate. 365 dni
The film focuses on the developing psychological and sexual relationship between the two, featuring intense and highly realistic erotic scenes.
Stars Michele Morrone as Massimo Torricelli and Anna-Maria Sieklucka as Laura Biel. Narrative Summary This report provides an overview of the Polish
The story follows Laura Biel, a young Polish woman who is kidnapped while on vacation in Sicily by Massimo Torricelli, the head of a powerful crime family.
Based on the first novel of a best-selling trilogy by Polish author Blanka Lipińska. The film focuses on the developing psychological and
The film is the first in a trilogy that includes sequels 365 Days: This Day and The Next 365 Days (both released in 2022). Critical Reception & Performance
This report provides an overview of the Polish erotic drama (English: 365 Days ), covering its production, plot, and the significant cultural controversy surrounding its release. Production Overview
Directed by Barbara Białowąs and Tomasz Mandes.
Massimo gives Laura 365 days to fall in love with him while keeping her imprisoned in his estate.
The film focuses on the developing psychological and sexual relationship between the two, featuring intense and highly realistic erotic scenes.
Stars Michele Morrone as Massimo Torricelli and Anna-Maria Sieklucka as Laura Biel. Narrative Summary
The story follows Laura Biel, a young Polish woman who is kidnapped while on vacation in Sicily by Massimo Torricelli, the head of a powerful crime family.
Based on the first novel of a best-selling trilogy by Polish author Blanka Lipińska.
The film is the first in a trilogy that includes sequels 365 Days: This Day and The Next 365 Days (both released in 2022). Critical Reception & Performance